I think one of the most interesting things about discussing art in any form, is that one hundred different people will give you one hundred different interpretations. Of course there are often common threads to each understanding, but every one of us brings our own past experience and context to every piece of art we encounter. At least, this is what I tell myself when I fail to connect as deeply and meaningfully as everyone else around me does.
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Sometimes I wonder if I've been living under a rock, but then I remember that I don't consume as much news media as I used to, especially when it comes to games. Therefore I tend to miss a big game every now and then, so I have no idea about hype levels or expectations. Sometimes I'm fortunate enough to just boot up a game because the trailer looked interesting and that's about that.
I know it might not seem like it at times, but I try to keep these posts stacked into the positive column a little more than the negative. After all, I often want to share the joy a game can bring instead of the pain, so even though I have been known to complain here and there, I like to think that the overall vibe of this blog is one of enjoyment and optimism. However, just saying that kind of gives away how much of a big old "but" might be coming along in this particular post.
Sometimes it's worth remembering that when you've created something excellent, it needs to speak for itself. When you have a core set of compelling mechanics presented beautifully, there's no need to inflate the facts. Countless little indie treasures could learn from this, and She Remembered Caterpillars could as well.
It's been quite a while since I posted about any games, but it's probably because I've spent most of that time playing Factorio. Remember when we were younger and spend hours and hours playing Sim City, because the time seemed to vanish without realising? This is a time vampire if ever there was one, and it's not even finished yet.